November 2024
PRESS
WERDE Magazin - No. 4 Winter 2024
Article: “Vergessener Rohstoff”
(engl.: forgotten resource)
by Noah Siegert (text+photo) & Felix Talla (photo)
In this article with an extensive photo series, the focus is on our simple life by the Schlei and the resource seagrass, which Kristian Dittmann uses for his pillows and which I incorporate into my art. In addition, a numbered edition of unique outdoor pillows has been created in collaboration with the Strand-Manufaktur.
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strand-manufaktur.de
Juni 2024
PRESS
A+ Magazine - Textile & Texture (308)
The textile work “Felder” (2018) was featured in the Belgian A+ Magazine as part of the inspiring photo-essay by Flore Fockedey.
Here, you can see “Felder” on the right side.
It is accompanied by a work of Hana Miletic, which you can see on the left side.
“Op vraag van A+ stelde Flore Fockedey, architect en textielontwerpster, een foto-essay samen van projecten die haar doorheen de jaren zijn opgevallen en bijgebleven. De interventies tonen steeds een bijzondere interpretatie van tactiliteit, textuur, ruimte of lichamelijkheid.“ Introduction to the photo-essayPhotography: Tom De Visscher (right), Stine Sampers (left)
https://a-plus.be/nl/tijdschrift/textile-texture/
December 2023
PRESS
WORLD OF INTERIORS December 2023
The textile installation “Treehouse” was featured in the magazine World-of-Interiors in an article by Tree Sherriff about the apartment of art-collector Silka Rittson-Thomas.
The artwork was commissoned in 2022.
“(...)But nowhere, perhaps, has a maker’s context been more intimately interwoven here than in the guest bedroom. ‘I have always been intrigued by tented rooms,’ Silka explains as we enter. Here she has conjured high-gloss, aubergine walls and, against the window, wall and ceiling, acres of fluid draped silk. As ever, the provenance of this is paramount. Juliane Schreiber is a German textile artist who lives on the Baltic Sea. For this room, she hand-dyed antique silk with stain made from the walnut tree in her mother’s garden.
The nuts, leaves, bark and shells were all used to create the myriad different tones. Schreiber then hand-stitched each dyed panel together and sewed intact walnuts from the original tree into the hem of the curtains to weigh them down. The result is a room that ripples with light made (literally) material, which suggests the ephemeral but also possesses a solidity that comes from the purple paintwork and the tulipwood bed by Sarah Staton.(...)”
Text by Tree Sherriff
Photography by Simon Upton
https://www.worldofinteriors.com/story/silka-rittson-thomas-home
27th - 29th of May 2023
The nuts, leaves, bark and shells were all used to create the myriad different tones. Schreiber then hand-stitched each dyed panel together and sewed intact walnuts from the original tree into the hem of the curtains to weigh them down. The result is a room that ripples with light made (literally) material, which suggests the ephemeral but also possesses a solidity that comes from the purple paintwork and the tulipwood bed by Sarah Staton.(...)”
Text by Tree Sherriff
Photography by Simon Upton
https://www.worldofinteriors.com/story/silka-rittson-thomas-home
27th - 29th of May 2023
OPEN STUDIO at ‘n d d 5 3 2 air’
Le Chauffage
My 3-months artist residency at ‘n d d 5 3 2 air’ in Amsterdam Noord is coming to an end.
I am inviting you to join me in my studio during the Pentecost weekend. There will be new works of mine on show as well as some research-in-progress.
Warm welcome!
ongoing project
BENEATH THE LANDSCAPE: ENTANGLED ROOTS
An artistic project by Juliane Schreiber (Germany) and Hrachya Vardanyan (Armenia).
2022
October 2021
June 2021